The Woodstock Art and Music Fair was held over three days in August 1969 -- the 15th, 16th and 17th -- so this is the 40th anniversary of that seminal event in pop music. Woodstock didn't take place in Woodstock, New York because of community opposition; rather, it took place at dary farm in Bethel, New York, about 40 miles away.
The line-up of performers was a true who's who of the era (excluding the Beatles and the Rolling Stones). Jimi Hendrix, the Who, Jefferson Airplane, Grateful Dead, Santana, the Band, Johnny Winter, Blood Sweat and Tears, Sha Na Na, Ravi Shankar, Joan Baez, Arlo Guthrie, Richie Havens, Creedence Clearwater Revival, and many others performed for the 300,000 spectators at any one time.
In spite of only 600 porta-potties, inadequate water supplies, mud, and choked roads, the festival showed that young people could gather for a musical celebration in a peaceful way. With Joni Mitchell's song as well as a film about the festival and records from the festival, Woodstock became more than it was at the time. (Joni Mitchell was not present at the festival, even though she memorialized it with her song).
The era of peaceful rock festivals lasted only a few months. "Woodstock West" was held in December 1969 as the Altamont Speedway Free Festival in northern California. Marred by death and violence, Altamont sealed the uniqueness of Woodstock.
Monday, August 17, 2009
Saturday, August 1, 2009
And the Flag was Still There

Happy 230th birthday, Francis Scott Key! The man who authored the words that became the national anthem of the United States of America was born on August 1, 1779, in Frederick County, Maryland. He grew up writing verses as a hobby, taking after one of his ancestors who was an English poet laureate. After attending St. John's College, Key became a successful lawyer. He married and had 11 children with his wife Mary.
In 1814, Key headed a truce commission negotiating for the release of Dr. William Beanes, who had beed captured by the British and held on the British ship, Suprise, off Baltimore. Dr Beanes had looked after the American troops at Valley Forge during the revolution, so was something of an American hero. The negotiators, including Key, were not permitted to leave the British ship they were on (Minden) since the British were planning an attack on Fort McHenry. The British attacked the fort, the battle raged for a day and night, while Key watched through field glasses. The next morning, Key saw that the American flag was still flying over Fort McHenry, and quickly wrote down his verses on an envelope he had with him. After the battle, the negotiators were released. Back at the Indian Queen Hotel in Baltimore, Key wrote out a neat copy, and it was soon printed as The Defense of Fort McHenry. It became known as The Star Spangled Banner in 1815. The music was an English popular (and sometimes, drinking) song, To Anacreon in Heaven, composed by John Stafford Smith around 1775. It became the US national anthem in 1931.
In 1814, Key headed a truce commission negotiating for the release of Dr. William Beanes, who had beed captured by the British and held on the British ship, Suprise, off Baltimore. Dr Beanes had looked after the American troops at Valley Forge during the revolution, so was something of an American hero. The negotiators, including Key, were not permitted to leave the British ship they were on (Minden) since the British were planning an attack on Fort McHenry. The British attacked the fort, the battle raged for a day and night, while Key watched through field glasses. The next morning, Key saw that the American flag was still flying over Fort McHenry, and quickly wrote down his verses on an envelope he had with him. After the battle, the negotiators were released. Back at the Indian Queen Hotel in Baltimore, Key wrote out a neat copy, and it was soon printed as The Defense of Fort McHenry. It became known as The Star Spangled Banner in 1815. The music was an English popular (and sometimes, drinking) song, To Anacreon in Heaven, composed by John Stafford Smith around 1775. It became the US national anthem in 1931.
Francis Scott Key was a very religious man. But, he was also a slave owner, torn between maintaining slavery and advocating for a solution to it; eventually, he freed his own slaves. He served as U.S. attorney for the District of Columbia from 1833 to 1841. He died January 11, 1843.
Labels:
Francis Scott Key,
music,
Star Spangled Banner
Monday, July 20, 2009
Fly Me to the Moon

On this, the 40th anniversary of the Apollo 11 moon landing and the man's first step on the moon, we're all still a bit Moonstruck (1933, by Arthur Johnston and Sam Coslow). We've learned that the 1953 Academy Award nominee and best selling record, The Moon is Blue, was wrong, at least up there. And that because there are polar ice caps on the moon, the Johnny Mercer/Henry Mancini song from Breakfast at Tiffany's, Moon River could in fact be true.
Even though Fly Me to the Moon was written by Bert Howard in the 1954, prior to Sputnik and the space race, it was a best selling record in the sixties for several major artists. That is, it became somewhat of an anthem for the Apollo space program. Apollo 8 actually did a lunar orbit and return to earth in 1968, as did Apollo 10 just a couple of months before Apollo 11's landing and that first Moonwalk. The Apollo program continued through Apollo 17 in 1972.
We've not yet made the Hoagy Carmichael/Johnny Mercer song from 1934, Moon Country (Is Home to Me) a reality, but space exploration continues. And just last week I heard talk of the possibility of moon flights to look at the possibility of settlement of the moon. Who knows what is in our futures as we look up at the moon in wonder.
Tuesday, July 14, 2009
La Marseillaise

Happy Bastille Day! This is the 220th anniversary of the storming of the Bastille Prison in Paris during the French revolution. In France, today is a day of national celebration. The storming of the Bastille was an important marker in the development of the modern French nation.
The storming of the Bastille predates the composition of the Marseillaise by three years. The song was written by Claude-Joseph Rouget de Lisle, a supporter of the monarchy, at the behest of the mayor of Strasbourg after France declared war on Prussia and Austria. War song for the Rhine army was written on April 25, 1792. The song was soon published as Border armies' war song. A group of revolutionaries who had gathered in Marseille adapted the march and sang it as they entered Paris on July 30, 1792. It was called La Marseillaise by Parisians after those revolutionaries from Marseille.
On July 14, 1795, La Marseillaise became a national song of France. It was banned during the Empire, but came back with the July revolution of 1830. Berlioz made a well-known arrangement of the song. An "official version" was adopted in 1887. La Marseillaise was recognized as the national anthem in the constitutions of the 4th and 5th Republics.
Like the American national anthem, The Star Spangled Banner, La Marseillaise celebrates war. But the French anthem also celebrates a citizen's call to arms in defense of the nation. The two anthems also share a sometimes call for a less bellicose song to replace each one. But both songs represent important parts of the nations' histories.
Wednesday, June 24, 2009
Harry Partch
American composer Harry Partch was born in Oakland, California on June 24, 1901, and died in San Diego, California in 1974. As a musician and innovative composer, he stretched the boundaries of music and worked outside the mainstream of "classical music." He is best known for the creation of musical instruments that were capable of fractional differences in pitch and could play music based on the 43 tone scale he developed. Clips from a BBC program about Partch are available on YouTube.
Wednesday, June 3, 2009
Happy 90th birthday, Pete Seeger
American folk singer Pete Seeger turns 90 years old today. But he hasn't just sung the old folk songs, he's written songs that speak to the issues of the times -- like If I had a Hammer, and Where have all the Flowers Gone? and Turn! Turn! Turn! He was instrumental in the folk music revival of the 50's and 60's. In 1964, his version of Malvina Reynold's song, Little Boxes, made number one on the Billboard charts. Many of the songs he wrote were chart hits for other performers. Pete Seeger recognized that music is a powerful tool -- some might say, weapon -- and he used it in the fight for social justice. He normally performs with a banjo, helping to keep that traditional American instrument alive, too. Thanks, and Happy birthday, Pete.
To celebrate Pete's 90th birthday, watch Little Boxes or the many other video clips of Pete Seeger's performances made throughout his career.
To celebrate Pete's 90th birthday, watch Little Boxes or the many other video clips of Pete Seeger's performances made throughout his career.
Monday, June 1, 2009
Haydn's Later Years

Sunday, May 31, 2009, was the 200th anniversary of the death of Franz Joseph Haydn. The Austrian composer is frequently called the "father of the symphony," but he wrote much more than just those 100 or so symphonies.
Joseph Haydn lived to a ripe old age of 77. The last 15 years of his life were spent back at the Esterhazy court. From 1794 on, there was a new prince, Nikolaus, who wanted Haydn to focus on church music. Six of Haydn's masses come from this period. His Mass in the Time of War referred to Napoleon's march on Vienna. The Nelson Mass celebrated Lord Nelson's defeat of Napoleon at the Battle of the Nile. The Theresa Mass was written in honor of the Austrian Empress Maria Theresa. Haydn also composed his oratorios, The Creation and The Seasons in these years. In 1796, Haydn composed the Trumpet Concerto in E-flat Major, now a standard part of the trumpet repertoire. And then there was the hymn tune written to be the Austrian national anthem, which he then used in the Emperor Quartet.
Ill health forced Haydn to resign his court post in 1802. Haydn's health continued to deteriorate over the following years, but he is reputed to have joked about it. His last public appearance was at a concert in his honor in 1808, at which his friend Antonio Salieri conducted Haydn's The Creation. Haydn died May 31, 1809 in Vienna and buried there, later to be reinterred in 1820 at Eisenstadt somehow without his skull. The skull and body were finally reunited at Eisenstadt in 1954.
Subscribe to:
Posts (Atom)